{"id":480,"date":"2017-03-01T10:35:03","date_gmt":"2017-03-01T10:35:03","guid":{"rendered":"http:\/\/czs.uniri.hr\/?p=480"},"modified":"2019-09-12T09:18:58","modified_gmt":"2019-09-12T09:18:58","slug":"kino-ucionica-gledaj-mizoginiju-kratki-opis-predavacko-filmskih-veceri","status":"publish","type":"post","link":"https:\/\/czs.uniri.hr\/?p=480","title":{"rendered":"Kino u\u010dionica: gledaj mizoginiju\/ kratki opis predava\u010dko filmskih ve\u010deri"},"content":{"rendered":"<div class=\"_39k2\">\n<div id=\"js_1n\" class=\"_4lmk _2vxa autofocus _5s6c\" tabindex=\"-1\"><\/div>\n<div class=\"_2yud clearfix\">\n<div class=\"\">\n<div class=\"_42ef _8u\">\n<div class=\"_3uhg\"><\/div>\n<div class=\"_3uhg\"><img loading=\"lazy\" class=\"size-medium wp-image-410 aligncenter\" src=\"https:\/\/czs.uniri.hr\/wp-content\/uploads\/2017\/02\/kinoucionica2-650x235.jpg\" alt=\"\" width=\"650\" height=\"235\"><\/div>\n<div class=\"_3uhg\"><\/div>\n<div class=\"_3uhg\"><\/div>\n<div class=\"_3uhg\" style=\"text-align: center;\"><a class=\"_2yug\" href=\"https:\/\/www.facebook.com\/gledajmizoginiju\/\" target=\"_blank\" rel=\"noopener noreferrer\">KINO U\u010cIONICA: GLEDAJ MIZOGINIJU<\/a><span class=\"_4_mg\">\u00b7<\/span><i class=\"lock img sp_jfZgYnwqOin sx_1c5af9\"><\/i><\/div>\n<div class=\"_3uhg\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"_39k5 _5s6c\">\n<div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>6.2.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">\u0160to su nam u\u010dinile devedesete?<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Fokus ve\u010deri biti \u0107e na chick-flickovima devedesetih. Uz stereotipne prikaze \u017eena nalazimo i suptilne oblike mizoginije skrivene u prikazima romanti\u010dnih odnosa te idealima ljepote i \u017eenstvenosti. Nakon gledanja odabranih isje\u010daka, slijedi rasprava i razgovor u cilju poticanja kriti\u010dkog mi\u0161ljenja posjetiteljica\/elja.<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>20.2.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">\u0160to nam to \u010dine reklame?<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Pru\u017eiti \u0107e se povijesni pregled obrazaca objektifikacije, seksizma i mizoginije u reklamama. \u0160to se doga\u0111a kada, primjerice, \u017eenske uloge u reklamama zamijenimo mu\u0161kim? Koliki je utjecaj reklama na do\u017eivljaj \u017eena u dru\u0161tvu?<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>6.3.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">\u0160to je \u017eena bez humora?<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Humor televizijskih serija oslanja se o stereotipe i kulturne kodove, stoga analiza humora nudi jedinstvenu perspektivu suvremenih pogleda na dru\u0161tvo. Za\u0161to su mu\u0161karci ti koji zabavljaju, i nedostaje li \u017eenama smisao za humor? U moru mizoginih, seksisti\u010dkih ekranizacija, postoje li uop\u0107e primjeri progresivnih ideja?<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>20.3.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Humor kroz stand-up<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Za\u0161to je forma stand-upa zatvorena za \u017eene? Kakav je humor \u017eena koje uspijevaju do\u0107i do priznanja svojim stand-upovima? Kako se dokazuju pred publikom i kakve su njihove \u0161ale? Kome se moraju svidjeti?<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>10.4.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Mu\u0161karci koji mrze \u017eene- mizoginija s dru\u0161tvenim pokri\u0107em<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">\u0160vedska, koja stereotipno &#8211; dru\u0161tveno, politi\u010dki i ekonomski predstavlja vrh zapadne civilizacije &#8211; bilje\u017ei iste mizogine mehanizme kao i Hrvatska. Prakse koje propagiraju mr\u017enju prema \u017eenama toliko su prisutne u dru\u0161tvu da posjeduju karakteristike zdravorazumskog razmi\u0161ljanja. Propitkujemo li ih dovoljno?<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>24.4.2017<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Pravo na tjelesnu autonomiju: kroji li mizoginija reproduktivnu pravdu<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Jedan od presudnih trenutaka koji ure\u0111uju \u017eensku reprodukciju jest prijelaz porodni\u0161tva iz domene babica i \u017eena u domenu prete\u017eno mu\u0161kog profesionalnog lije\u010dni\u0161tva. Na koje na\u010dine mo\u017eemo prakticirati solidarnost i opstruirati mizogine pristupe?<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>8.5.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Traileri Balkana<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Radionica za sve koji \u017eele pristupiti medijskim sadr\u017eajima kroz prizmu feministi\u010dke kritike. Analizatrailera, koje mo\u017eemo gledati kao zaseban \u017eanr, promatrana je u odnosu na filmove na koje se referiraju. Baviti \u0107emo se filmovima iz na\u0161eg kulturnog podneblja, koji sadr\u017ee mizogine elemente karakteristi\u010dne Balkanskom mentalitetu.<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>22.5.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Kino Katarina u kino u\u010dionici<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Predstavljanje nedavno pokrenutog programa filmskih projekcija na napu\u0161tenim i neiskori\u0161tenim prostorima, kao \u0161to je pulski otok Sv. Katarina. Sadr\u017eaj prikazanog filma problematizirati \u0107e odnos \u017eene i njoj nenaklonjene dru\u0161tvene stvarnosti.<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>5.6.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">O \u201eMisterijima organizma\u201c<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Zabranjivani film iz 1971.godine otvara pitanje povezivanja radni\u010dke klase kroz seksualno oslobo\u0111enje \u017eena te problematizira nemogu\u0107nost mu\u0161karaca da ju prihvati. Ovo predavanje mizoginiju promatra iz aspekta seksualnosti, primarno kroz psihoanalizu WillhelmaReicha.<\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong>19.6.2017.<\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\"><strong><span class=\"_4yxo\">Ranjivost i<\/span> <span class=\"_4yxo\">obitelj: sje\u0107anje i trauma u suvremenim dokumentarcima post-Jugoslavije<\/span><\/strong><\/div>\n<div class=\"_2cuy _3dgx _2vxa\">Predavanje prilazi problematici mizoginije od strane emotivnog razumijevanja konstrukcije identiteta u patrijarhalnom kontekstu gdje \u017eena ozna\u010dava opasnost. Prikazati \u0107e se ranjivost i osvijetliti razvoj tradicionalnih struktura, poput obitelji, kao jedno od mogu\u0107ih mjesta borbe s mizoginijom, bolesti ljevice i desnice.<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KINO U\u010cIONICA: GLEDAJ MIZOGINIJU\u00b7 6.2.2017. \u0160to su nam u\u010dinile devedesete? Fokus ve\u010deri biti \u0107e na chick-flickovima devedesetih. Uz stereotipne prikaze \u017eena nalazimo i suptilne oblike mizoginije skrivene u prikazima romanti\u010dnih odnosa te idealima ljepote i \u017eenstvenosti. Nakon gledanja odabranih isje\u010daka,&#8230; <a class=\"more-link\" href=\"https:\/\/czs.uniri.hr\/?p=480\">Nastavi \u010ditati &rarr;<\/a><\/p>\n","protected":false},"author":2,"featured_media":410,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"jetpack_featured_media_url":"https:\/\/czs.uniri.hr\/wp-content\/uploads\/2017\/02\/kinoucionica2-e1485947110237.jpg","_links":{"self":[{"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/posts\/480"}],"collection":[{"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=480"}],"version-history":[{"count":2,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/posts\/480\/revisions"}],"predecessor-version":[{"id":1825,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/posts\/480\/revisions\/1825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=\/wp\/v2\/media\/410"}],"wp:attachment":[{"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/czs.uniri.hr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}